BIOGRAPHY
Childhood and adolescence
Was
the first of the three sons the marriage formed by Francisco Syria
Mora, ex officio baker, and Juana Levario Plata, trader, who named it as
Gabriel Syria Levario. His
mother possessed a stall selling in a public market and, due to the
abandonment by her husband and while making you demanded by his job,
decided in April 1932 leave Gabriel at home of his uncles Valentín
Levario Plata and Ángela López Martínez. De fact, the future artist always considered to these his real parents.
He
managed to study until 5 º grade of primary education in schools
located in the neighborhood of Tacubaya, where born and raised. Notoriety
and strange consideration had at talk constantly of the town of
Nogales, in the state of Sonora: was rumored for long that was there
where born, and who moved then to the city of Mexico. Part of the version is certain: an uncle of Javier era of that locality. However,
there are no sources that they demonstrate this as sonorense, except
the biography published by the disquera CBS Columbia, that publishes its
northern origin on an LP, apparently a commercial strategy without any
reference. Thus
no reliable sources that confirm their origin sonorense, except the
official source: the death certificate governmental of civil
registration, where is confirmed that was capital.
In schools of Tacubaya began to develop his artistic concerns, for he used participate like singer in school festivals. However, stopped attending school to help in household expenses already work as gatherer of bones and glasses. Then worked moving goods in a automercado. In
November 1939 died his adoptive mother; the future singer due overcome
and continued working in trades such as baker, butcher, charger baskets
in the market and scrubber of automobiles. Then would be interested by sport, and became great aficionado to boxing, baseball and futbol.
However, followed interested in singing: began to arise, like interpreter of tangos, in public places in shows known as tent. His first opportunity offered it Manuel Garay, clown by profession and administrator of Teatro Salón Obrero. There
was put as a stage name Javier Luquín and participated in amateur
contests, and came to win in more than one occasion a pair of shoes
donated by a shoe store of the place. He
continued working in butcher shops, and the owner of one of them, David
Lara Ríos, to discover the skills of young performer, decided pay
classes singing with maestro Noé Quintero, who had been master of
vocalization of singers recognized for the time.
Beginnings artistic
Al finalizing the tour, he was hired in a cabaret as a singer and animator, fronJavier
Solís began a new stage acting in restaurants and as part first of Dúo
Guadalajara and then the Trio Flamingo, called after Trío Mexico, with
their friends Pablo Flores and Miguel Ortiz Reyes. A
early 1948 still working as butcher and started as interpreter soloist
of music ranchera: sang in the nights with groups of mariachis in the
Plaza Garibaldi and on the street Honduras, in the Mexican capital. After sang in restaurants El Tenampa and the Guadalajara de Noche, where was made accompany of mariachi Latin of Alfredo Serna. As he had no fixed salary, their income came from tips he received. That same year, by first time participated in a contest radial, without using your pseudonym. Al
end of the year, while singing in the Plaza Garibaldi General Rafael
Ávila Camacho hired him next to mariachi Metepec by a year to act in
Atlixco, in the state of Puebla.
It was his first tour as Javier Luquín. t of an audience diverse.During
some time was considered him an imitator of Pedro Infante, but
gradually was recognized as a talent with own identity and with more
faculties vowels that El Ídolo of Guamúchil.
Towards
1950 recorded his first creations: Punto black, Tomato that cup, Virgen
de mud and I'll give my heart, produced, with the Trio Los Galantes, in
a small recording studio destined to amateur artists and belonged to
the living cinema Cinelandia of the City of Mexico. The
singer made these recordings in acetate discs to display them to their
friendships and handed as greeting presentation before Discos Columbia
of Mexico (today SonyBMG Music), the who hired him in January 1956. This
company record label would include the two latest in the LP Homage to
Javier Solís, edited in 1990, and Punto black would appear in the triple
LP 36 Successes of Javier Solís, which was distributed in the market in
1969.
Career
A early 1955 was hired to sing in the Bar Azteca, where he remained for space of four years. Is
here where, to suggestion of his friend Manuel Garay, would change his
pseudonym by Javier Solís, with which would achieve artistic fame. A
mid of that same year heard him sing in the premises Julito Rodríguez,
in that then guitarist and first voice of Trío Los Panchos, who
recommended him for an audition with Felipe Valdés Leal, who was
artistic director of Discos Columbia of Mexico. Gabriel
Syria, now become Javier Solís, proved approved in hearing he was
called a contract to record their first single in late 1955. We included the topics do you care and Why deny. The simple obtains success inside Mexico and, thanks to this, is hired formally the January 15, 1956. Is
said that, as part of this deal, Javier Solís delivers the tape
containing the aforementioned topics and the company the shelved for
several years, giving to know the themes, years after his demise, as
already has said.
An unexpected event, retards the launch of its first album. The
day of the funeral of actor and singer Pedro Infante is reason to that
Solis, climb to a crypt the cemetery to intone the ranchera Grito
Prisoner, imitating the vocalization the deceased interpreter.
Solis continued doing presentations at the "Bar Azteca" and also in a space Mexican broadcaster XEW. Receive his first Disco de Platino for high sales of its first simple, the day September 5 1957. As a consequence, records his first album Javier Solís, Volume I adding to the topics of your hard simple, 6 Songs more. Here
begins the legend of artist, in terms regards its private life because
in the preface of this LP is ensures that your birth occurred in the
Mexican state of Sonora, which belied journalistic investigations
subsequent. Your
definitive consecration was when recorded the subject Llorarás Llorarás
(that formed part of the album the same title) in 1959, when Felipe
Valdés Leal achieved with tips that Solís abandon his style imitator. Henceforth,
his career was meteoric, since although lasted only 10 years, he
recorded 379 songs and became one of the singers most famous of history
in Mexico.
In
1959, during his first promotional tour towards United States, the
disquera prepared an album contentivo of waltzes of Mexican origin in
which the accompaniment does not would effected with mariachis but with a
symphonic band conformed by musicians Mexicans and Americans pursuant
and address of musician Fernando Zenaido Maldonado. The
album, titled Javier Solís with band, was recorded in studies of
Columbia Records in New York, in one of the first recording jobs
multitrack conducted by Latin American artists. Initial sales of this LP were made to organizations of charity, but had little acceptance in Mexico. However, several years later was digitized. Curiously,
in 1963 the disquera takes the voice track of this recording and
replaces the accompaniment of band with the del Mariachi Nacional de
Arcadio Elías. The resulting album was termed Valses Mexicanos, that at be digitized be titled Valses. Is
the first technical reconstruction carried out with the voice of Solís,
still in life, although this would not know some fanatics of singer but
several years later, thanks to advances in computing techniques and
multimedia that allowed make the comparison posterior.
The
following year (1960), in a new tour in United States, undertakes a
very different project because records boleros with orchestral
accompaniment of study directed by who would later be his friend, the
American musician Chuck Anderson. This
album was called Javier Solís in New York and had as end, according
words of singer, put the level of other artists of romantic genres
demonstrating its versatility. This disc take some time to go to market, due to the acceptance of singer like genre artist ranchero.
In
1962 and 1963 makes two of his discs most celebrated: "Fantasía
Spanish" and "Trópico" with songs the composer Agustín Lara, thus
becoming one of his best interpreters. With
the interpretations of Javier Solís initiates a new era for the music
of mariachi leaving behind the sones and the thematic campirana to
incorporate the lyric urban and the adaptations of Latin American songs,
achieving freshen the gender and audience interest for music ranchera
.
Disease and death
Al
initiated the year of 1966, Solís undertakes a new recording project
recording some of the songs more known of the composers Puerto Ricans
Rafael Hernández and Pedro Flores. However,
due to his sufferings health, only reached to put the voice to eight to
the groomed slopes the new album, although it got to finish his another
album Javier Solís With Orchestra. On
the advice doctor, the April 12 of that year, Solís was hospitalized in
the hospital Santa Elena in the colony Rome of the City of Mexico for
surgery of the gallbladder. According
to his death certificate died at 5:45 am on April 19 by cardiac failure
a result of disequilibrium electrolytic produced by the
cholecystectomy.
However, so far, have been collected 4 different versions of its illnesses and deaths, without which take by valid any of them. One
of these versions, the most widespread, says that after his operation,
the artist disregarded the medical prohibition taking cold water, which
caused him cardiac arrest. Another version affirms that was operated of appendicitis, but which a clamp was left in its body, which caused his death. In another is indicated that the sufferings de Solís were prostatic. Finally,
his friend, the now deceased musician and arranger States Chuck
Anderson, was saying that after of your operation, the artist what
visited the day 18 and expressed they had given him High, which felt
well and that at night would attend a party. The next day, Anderson he learned of the sudden death of artist.
The
April 20, amid manifestations of pain your body was buried in the batch
of actors the Pantheon Garden of the City of Mexico, where they have
remained his remains since then. Soon
after, the disquera presented the songs left by Solís, adding to the
slopes of these interpretations recited writings by actor Ángel Fonfrias
and declaimed by the already late actor and broadcaster Guillermo
Portillo Acosta. This
last album was called Homenaje Inconclusive A Rafael Hernández and
Pedro Flores, which had such sales that years later was digitized. That
same day in several radio stations the country were intoned their best
songs as Friend Organillero, Shadows, Las grilles do not kill, In my old
San Juan to way to homage, in the XEW station to which is attributed
have been the first station in revealing around 7:00 hours the decease of singer causing great commotion in the population and of his followers.
TRIBUTES RECORD
During
a while, CBS Columbia (Mexico) was limited to reedit in formats LP and
casette the earlier work of Solís, until in 1971 the disquera accepted
the proposal of uniting the voice the artist to the of the voices and
guitars of trio Los Panchos on the album Two idols singing together. In
this disc, was respected the original style of the recordings by which,
accompaniment with mariachis remained in all interpretations. Soon
after, CBS started presenting compilation albums in which were included
gradually, in the years following, those interpretations who remained
unpublished to death de Solís. After,
towards 1982 the Mexican Gerardo Reyes joined his voice to the of the
interpreter deceased, in the LP "Javier Solís and Gerardo Reyes
together", but this had little international transcendence, since Reyes
was not very known outside Mexico.
In
1994, the same disquera convinced the American singer Vikki Carr of
record a tribute entitled I remember A Javier Solís, in which the artist
included a duo in the topic Amanecí in your arms. For
its part, in the year 2001,'s Venezuelan subsidiary Sony Music decided
unite the voice of Solís with that of the members of the Rondalla
Venezolana on a concept similar to the album realized by the trio Los
Panchos, in a CD entitled Javier Solís with La Rondalla Venezolana.
Finally,
in the year 2003, Sony Music Mexico organized two tributes discographic
the artist: in one of them, gathered the unreleased tracks already
mentioned under the title Las Inéditas of Javier Solís; and in another,
by first and so far only time, the artist's
voice was separated from her original accompanying (with mariachis and
orchestra of study) and he was replaced by an accompaniment of guitars
and rhythms next to the voices the group "Los Nocheros" and the trio
"Los Patricios", both Argentines. This
novel album, called Javier Solís with trio, in which the artist's style
was unlinked from bolero ranchero and with great orchestra, has been
edited or sold on few Latin American countries, despite that the artist
remains remembered.
PARTIAL DISCOGRAPHY
Partial
discography of Javer Solis, with official albums, some recopilatorios
and some that mix their recorded voice with interesting arrangements,
always and when they cease a Solis in foreground (not as other albums by
different artists who take the tracks with the voice of Javier Solis to sing "to duo", leaving Javier in the background.
No
are here, the singles and EPS (viniles of five inches - 45rpm with two
or four songs respectively), whose songs already were included in
different compilations. No
are those same compilations that only repeat topics published (as the
series of "2 in 1", "History of", "Best of", etc) and finally, only
refers to their official discography, not to videos, or themes
drawn of his films, unless that have been edited, as for example the
songs the film of 1965, "Mas beyond the Orinoco (The man of the fury)
from which were published a few only.
A
special notation refers as always to the different covers or caratulas
used in several countries, or at order and topics same edited in them. Las
Photos played here correspond usually to the edition of the compañia
CBS Mexico, who also commercialized the same contents of some albums
with another name and covers
Information
that I consider timely leave constancy by passion with which different
collectors discussed in the network, about the true or complete
discografia published of Javier Solis. (September 1, 1931 - April 19, 1966)
1957 - JAVIER SOLÍS, VOL. 1 my last bolero /'ll know god / never never / because denying/ my love / anguish / that you import / draw of love
1957 - With the Mariachi pearl of western
anguish / when you want me / my last Bolero / word of mouth / tears of love / burn me eye /will know you want / By Will of God / my love /
Let's stop Pretending / God did not Want / give me my guilt
1958 - SING JAVIER
gem/ tears of the soul / Write me / straying / the one / regalame night / four words / both damage / when love / less that nothing / devise / I do not give freedom
1958 - UNFORGETTABLE BOLEROS WITH JAVIER SOLIS
to sea / lost love / heart sweetheart / black angels / two souls / dry leaf / bad payer / prayer caribbean / taste of deception / Judgment / tropical trail / I you I wanted
1958 - HITS
pain no longer see / I come to Tell you Goodbye / weep the Two / nobility / wait for me / twelve strokes / tell me with kisses / Page in White / tree without leaves / confusion / decides / lie, lie
1959 - WEEP, WEEP
by moonlight / friends nothing more / love as always / do me the miracle / ivy /beggar for your love / weep / lie, lie / No
you will forgive / nice love / a talk / I come to say goodbye
1960 - LARA, GREVER, BAENA
Night Watch / Impossible / frost / smoke in the eyes / when re-your Side /
So / be back / I no longer want / wanderer / I live my life / you go because you want / go away for please
1960 - IN NEW YORK
only
once / kiss me much / siboney / three words / perfidy / night and day / tropical trail / Love me a lot / María Elena / He sleeps / I want to say / when you return to your side
1961 LOVE WITH YOU
kiss me and forget me / A Commitment / of whom are in love / no let us lose our time / When I Miss / love with you / eternally / help me god mio / one more night / taste you / postcard / I saw you mourn
1961 WITH ACCOMPANIMENT OF MARIACHI
treacherous eyes / bitterness / three moons / ask god / scandal / nobody loves me / and. .. / light and shadow / if thou dost not these with me / the crazy / delivery / come save
1962 - FANTASY SPANISH
carnation Seville / strings of my guitar / the organ / españolerías /
Fermín / Granada / Murcia / novillero / silverio / crazy luck / Toledo /
Valencia
1962 THE WORST OF LOS CAMINOS
The
worst road / let them die of envy / aimlessly Gale/ Slave and master / Carabela / This doubt / Convite / wandering between shadows / hundred thousand things / forward / Never, Never / do not ask
1963 - AGUSTIN LARA PLAYS
blue key / Veracruz / palms / pipe dream / Moon, Moon / poor me /
Madam Temptation / Creole night / La Cumbancha / Camagüey / Think It / only once
1963 - BOLEROS, BOLEROS, BOLEROS
gypsy eyes / port sad / Inconsolable / turned / More Hereafter /
By the Love of God / A Divorce / Sacrificed / only thousand nights / changed / Young Pretty / do not go / So
1963 - PRISONER OF THE SEA
prisoner
of the sea / fifth courtyard / Pretty / Roulette / Distance / he who loses a woman / traveling / green fruit / Ace of Hearts / for you / Hamaca /
Crossword
1964 - ROMANCE
surrender/ This Night payment I / mine face / do not curse / Thanks / glass of wine / current / Dear Evil / each his life / A
Weigh of All / Remenber of Ypacarai / Distance
1964 - VALSES MEXICANOS
for you learned to love / Julia / Tomorrow / Alejandra / I remember / live my misfortune / Club green / When You listen this Vals / eyes of youth / dying for love / God Never Dies / night blue
1964 - Another Year Without You
Azalea flower/ I'm still waiting / Loss / you to be happy / another year without you / we are different / the bower / Injustice / Uncertainty / Sea / Desperately / torment
1965 - SHADOWS
Shadows
/ every time / in my old San Juan / if God takes my life / I knew you loved / Renunciation / When Heats the sun /
Withdrawal / grinding coffee / That Va / your voice / dawned in your arms
1965 - JAVIER SOLIS IN CARACAS (idem SHADOWS)
1965 - CLOWN
Clown
/ four candles / as Christ said / ashes / All He finished / Y Tell
me / It you Forget / By That I You stop / a drink / It me Forgot
your Name / Cataclysm / that bolero is mine
1965 - AND STILL LOVE YOU
and still love youte Quiero / singing bird / a handout / mountain / Let us
continue Sinning / Reconciliation / Me remember / moonlight / Friend
Organillero / Foams / bars not Kill
1966 - JAVIER SOLÍS WITH ORCHESTRA
God! ... how
I love you / good trip / Our love / In this afternoon gray / The world / I need you / Wait / hell / day / little faith / Hell and glory
1966 - Bohemian Life
love you a lifetime / fat woman / the moon and the bull / when living with me /
María / Life of Bohemio / Our Oath / false / our misfortune / In Your
Hair / That you It matters
1967 - RANCHERAS WITH JAVIER SOLÍS
Renunciation
/ Arriving at Ti / Withdrawal / I'm despised / drunk / the sinner / how beautiful is my land / dawned in your arms / This Sadness
Mía / With my Own Hands / Pa 'All Year / there will be no more serenades
1967 - HOMENAJE INCONCLUSIVE A RAFAEL HERNÁNDEZ And PEDRO FLORES
sorry borincano / *recited / sorry borincano / silence / gardenia perfume / Inconsolable / farewell / *Recited / farewell / Obsesión /
Under a Palmar
* Recited writings by actor Ángel Fonfrias and declaimed by the already late actor and broadcaster Guillermo Portillo AcostaFrom
1968 to 1936 SUCCESSES OF JAVIER SOLÍS
Lloraras
/ Cataclysm / That you It matters / By That Negar / Female / Never
Never / Gema / Anguish / Perdonala Lord / I'll give you my heart /
Virgin clayf / Point Black / kiss me and forget me / my life is love / I'm despised / drunk / your mistake / count on me / Tears of Love / María / different paths / Everything and Nothing / After Loving / Confidence / The crazy / A Council / Master Before / Our Juramento / Ms. / Twenty
four Hours / will know that I love you / for the last time /Without morning nor Yesterday / Conflict / False / Me Is Aching your Absence
1969 - WITHOUT MORNING NI YESTERDAY
Drunk / Forgive my life / Without Tomorrow nor Yesterday / Me Is Aching your
Absence / the lost / De Kneeling / I'm despised / Cry me / count on me / without faith / A Council
1970 - MAÑANITAS WITH JAVIER SOLÍS
Las
Mañanitas Tapatías / In your day / your View / Le I lied / the worst road / phony / regards / my fault / With my Heart you I
hope / In this Afternoon Gris
1970 - WITHOUT FE AND WITHOUT RELIGION
Let
us enjoy Our Life /'m going / Without Fe and Without Religion / Hell
and Gloria / That not Te Count / Piedad Lord / the soldier's goodbye / one night so / oh dear / Conflict / Lo Said
1970 - MY SIN
My Sin / I feel Getting away / do not go / Wait / Sleep on your back / The hand of God / father! / I have Counted Ti / Puerto Sad / desert in the soul / I dreamed Dead
1971 - THE .PANCHOS WITH JAVIER SOLIS "two idols singing together"
Cry / shadows any more/ Clown / ashes / The crazy / In My Old San Juan / turned / a handout / the current/ remember me / A Glass Tomato
1984 - TOPICS INÉDITOS OF ITS MOVIES
the soldier's goodbye / Serenata without Moon / is a big thing / old town / am a Slave / What Juan / Anxiety / Las mirlas / Mayra / northern sweetie
1985-15 AUTHENTIC SUCCESS WITH JAVIER SOLIS RANCHERAS
bars not Kill / Renunciation / Arriving at Ti / Withdrawal / I'm despised / echame my fault / drunk / the sinner / how beautiful is my land / dawned in your arms / This Sadness Mia /
With my Own Hands / the night road / Pa 'All Year / No There will be more Serenatas / torment
1991 - FRIEND ORGAN GRINDER
Friend
Organ Grinder / forward / Never, Never / slave and master / hundred thousand things / this doubt / caravel/ wandering between shadows / Convite / they die of envy / aimlessly Gale
1994 - INOLVIDABLES WITH JAVIER SOLIS
Uncertainty
/ Falsa / wanderer / taste of deception / because denying / you go because you want / eternally / bitterness / ashes / lost love
1994 - TWO IDOLS THAT WERE
Pa
'All Year / serenade moonless / the hand of God / dawned in your arms / Withdrawal / when living with me / nice love it / reaching you / the night road / the worst road
1994 - LARA, BAENA AND MALDONADO
Veracruz
/ going / Moon, Moon / four candles / Me is Aching your Absence /
Clown / Never, Never / Poor Me / Madam Temptation / weep the Two
1996 - LEGENDS
Renunciation
/ It you Forget / the crazy / you cry, you cry / ashes / beggar of love / dawned in your arms / scandal / Delivery Total / a glass tomato / four candles / Me remember / If God me Removes the Life / A Year
more without Ti / slave and master
2001 - JAVIER SOLÍS WITH THE RONDALLA VENEZOLANA
grinding coffee / in my old San Juan / Clown / turned / slave and master /
Shadows / ashes/ lying / four candles / I knew you loved / the crazy / you cry, you cry / Total delivery / if God takes my life / withdrawal / Thanks
2002 - MY TOP 30 SONGS
you cry, you cry / Cataclysm / count on me / Female / gem / anguish / lord Forgive / Punto Black / kiss me and forget me / My life is love / I'm despised / Drunk / your mistake / Why deny / Tears of
Love / María / different paths
/ Everything and Nothing / After Loving / the crazy / A Council / Our
oath / Ms. / As Before / Twenty four Hours / will know that I love you / for the last time / Conflict / false / Me Is Aching your
Absence
2003 - LAS UNPUBLISHED OF JAVIER SOLÍS
reminding you / a little bit of / Maybe in Eternity / are you my life / Sleep on your back /
History of my Life / Not / Your Friend of Yesterday / cry at Christmas / pity Mr. / You and La Night / Write me / Twenty four
Hours
2003 - JAVIER SOLÍS EXITOS WITH THE TRIO LOS PATRICIOS (voices of "Los Nocheros")
Shadows
/ When Re-your Side / Clown / only once / in my old San Juan /
Three Words / lying / obsession / if God takes my life / remember me / Let us continue Sinning / kiss me
2004 - TREASURES OF COLLECTION
Disc 1
Friend
Organillero / Gema / Recuerdos de Ypacarai / Let them die of envy /
Shadows / In my old San Juan / When heats the sun / Clown / Cuatro
tapers / La current
Disco 2
In
my Viejo San Juan / I knew you loved / the soldier's goodbye / Smoke in the eyes / Friends Nothing Mas / Sore no longer Verte
/ oh dear / Injustice / the organ / La hand of God
Disc 3
Clown
/ phony / desert in the soul / Impossible / farewell / God Never
Dies / wait for me / glass of wine / Inconsolable / the lost
2008 - THE 100 CLASSIC
Disc 1
Shadows
/ bars not Kill / a handout / Lloraras, Lloraras / Moliendo Café /
Media Vuelta / Nobleza / A Weigh of All / Withdrawal / and.. /
Pa 'All Year / I knew you loved / light and shadow / lie, lie
/ Forgive My Life / do not go / Pretty / El Organillero / Remenbers of Ypacarai / I forgot your name / God Never Dies / dawned in your arms / Silverio / Carabela / Las Mañanitas
Disc 2
This
Sadness Mía / slave and master / drunk / you Forget / Friend
Organillero / Lloraras at Christmas / ashes / Ya Without Fe / the crazy /
When You listen This Vals / El Worse of the road / Tomorrow / Cry me
/ dying for love / wanderer
/ fat woman / glass of wine / blue night / mourn the two / I'm despised
/ eyes traitors / the road at Night / When the sun heats / the sinner / Gift of Kings
Disc 3
Clown
/ Renunciation / Granada / current / With My Own Hands / every time
(Ogni Volta) / the unloved / a glass tomato / Me This Aching Your
Absence / there will be no more serenades / green club / will know that I love you / Luz of Moon
/ Regálame This Night / Veracruz / Como Said Christ / nice love it /
kiss me and forget me / foward / A Year More Without Ti / and still love you / good trip / little by little / farewell / four candles
Disc 4
Julia / In My Old San Juan / Your Voice / That Va / If God Removes Me Life / I Recordaras / Foams / The Moon and the Bull / Let us continue Sinning / Give me to I Blame / Love Lost / In Your Hair / Oh Honey / Gem / Padre Mio / Hell and Gloria / Strings of My Guitar / Serrana / Ivy / Gale Sin Rumbo / Cataclysm / The Hand of God / Te Amare All Life / Que Bonita Is My Land / Delivery Total
2008 - JAVIER SOLÍS WITH BANDA
little by little / Shadows / With my Own Hands / If God me Removes the life / Pa
'All Year / a handout / Clown / bars not Kill / Friend Organillero
/ This Sadness Mía
Like curiosity, wikipedia scores these points:
In
1959, during his first promotional tour towards United States, the
disquera prepared an album contentivo of waltzes of Mexican origin in
which the accompaniment does not would effected with mariachis but with a
symphonic band conformed by musicians Mexicans and Americans pursuant
and address of musician Fernando Zenaido Maldonado.
The
album, titled "Javier Solís With Banda" was recorded in studies of
Columbia Records in the city of New York in one of the first works of
Recording Multitrack conducted by Latin American artists.
Initial sales of this LP were made to organizations of charity, but had little acceptance in Mexico. However, several years later was digitized. Curiously,
in 1963 the disquera takes the voice track of this recording and
replaces the accompaniment of band with the del Mariachi Nacional de
Arcadio Elías.
The resulting album was called "Valses Mexicanos", that at be digitized be entitled "Valses". Is
the first technical reconstruction carried out with the voice of Solís,
still in life, although this would not know some fanatics of singer but
several years later, thanks to advances in computing techniques and
multimedia that allowed make the comparison posterior.
During
a while, CBS Columbia (Mexico) was limited to reedit in formats LP and
cassette the earlier work of Solís, until in 1971 the disquera accepted
the proposal of uniting the voice the artist to the of the voices and
guitars of "Trio Los Panchos "on the album" Two Ídolos Cantando Juntos ".
In
this disc, was respected the original style of the recordings by which,
accompaniment with mariachis remained in all interpretations. Soon after, CBS started presenting albums ofcompilation
in which were included gradually in the years following, those
interpretations who remained unpublished to death de Solís.
For
its part, in the year 2001,'s Venezuelan subsidiary Sony Music decided
unite the voice of Solís, with that of the members of the Rondalla
Venezolana on a concept similar to the album realized by the Trio Los
Panchos, caling the CD "Javier Solís with La Rondalla Venezolana "
Finally,
in the year 2003, Sony Music Mexico organized two tributes discographic
the artist: in one of them, met unreleased tracks under the title "Las
Inéditas of Javier Solís"; and in another, for the first, and until now
only time, the artist's
voice was separated from her original accompanying (with mariachis and
orchestra of study) being replaced this one by a accompaniment of
guitars and rhythms next to the voices the group "Los Nocheros" and the
trio "Los Patricios", both Argentines.
This
novel album called "Javier Solís With Trío", in which the artist's
style was unlinked from bolero ranchero and with great orchestra, has
been edited or sold on few Latin American countries.
FILMOGRAPHY
LOST THREE BULLETS (1960)
This
movie deals three cowgirls unbridled who sow chaos for where they
spend, sing serenades to their loves, whereof the offends for the
content of his songs and therefore are resolved to give him a good
lesson to the three cowgirls.Directed Roberto Rodríguez Screenplay: Rafael A. Pérez,
on an argument of Roberto Rodríguez Photography: José Ortiz Ramos
Music: Sergio Guerrero with arrangements of Rubén Fuentes Interpreters:
Rosita Quintana, María Victoria, Evangelina Elizondo, Julio Aldama,
Alfredo Sadel, Javier Solis Premiere: May 5th, 1961 (3 weeks in billboard)
THE NORTH BARBAROS (1961)
In
the village of La Paz, the policeman Choforo asks his nephew Pantaleón
to help you defeat the evil Rómulo and his gunmen, but a fed undercover
is who actually ends with the maleantes.Director:
José Díaz Morales Screenplay: Julio Porter and Pancho Córdova on an
argument of Julio Porter and Miguel Angel Espino Photography: Enrique
Wallace Music: Manuel Esperón Interpreters: Antonio Espino "Clavillazo",
Adilia Castillo, Javier Solis, Rodolfo Landa, Yolanda Ciani Premiere : January 25th, 1962 (two weeks in billboard)
ROAD TO THE GALLOW (1961)
Directed
Chano Urueta Screenplay: José María Fernández Unsain Music: Enrico
Cabiati with the following songs: Shortly by little, What nice love, The
Madman and EscándaloInterpreters:
Miguel Aceves Mejía, Lola Beltrán, Javier Solis, Fernando Casanova,
Oliva Michel, Silvia Fournier Premiere: October 11, 1962 (two weeks in
billboard)
RETURNING THE FIVE HAWKS (1961)
Movie sequel of Los Five Halcones. In
this occasion, Luis, Miguel, Demetrio, Joaquín and the blacksmith
Javier saved from the villains to Juana, which is a orphan, heiress of
properties, prized by a group of malandrines; the five heroes end
falling for the same woman.Directed Miguel M. Delgado
Screenplay: Alfredo Varela Jr. on an argument of José María Fernández
Unsain Photography: Agustín Jiménez Music: Manuel Esperón Interpreters:
Luis Aguilar, Julio Aldama, Demetrio González, Fernando Casanova, Javier
Solis, Gina Romand Premiere: December 25th, 1962 ( two weeks in billboard)
STRONG, BOLD AND BRAVE (1962)
Ángel
and Javier take out a life more of what she can give them scamming
everyone who it be brought opposite, but as "the that to iron kills, to
iron dies", were found with others who as They like " enjoy "taking advantage of others.
Directed
René Cardona Screenplay: Alfredo Zechariah Photography: Agustín
Martínez Solares Music: Gustavo César Carrión Interpreters: Germán
Valdez Tin Tan, Luz Márquez, Javier Solis, René Cardona Jr. Premiere:
June 27 1963 (one weeks in billboard)
THE OUTLAWS (1962)
Directed Fernando Cortés Screenplay: José María Fernández Unsain on an argument of he himself and Sidney T. Bruckner
Photography: Jorge Stahl Jr Music: Luis Hernández Bretón with the song
El loco of Víctor Cordero Interpreters: Joaquín Cordero, Rosa de
Castilla, Javier Solis, Oliva Michel, Noé Murayama, Norma Mora Premiere:
October 12 1962 (one weeks in billboard)
BLOOD IN THE CANYON (1962)
Directed
Juan Orol Screenplay: Juan Orol and Rafael Square Balboa Photography:
Rosalío Solano Music: Sergio Guerrero Interpreters: Mary Esquivel,
Javier Solis, David Zaizar, María Bustamante, Norma Navarro, Norma Mora
Premiere: July 5th, 1963 (one weeks in billboard)
A TYPE A ALL DAR (1962)
Directed Fernando Cortés Screenplay: José María Fernández Unsain on an argument of he himself and Sidney T. Bruckner Photography: Rosalío Solano Music: Luis Hernández Bretón with songs of J. Gallardo (Ojitos traitors), F. Lobo
(Nobody loves me), Rubén Fuentes (Viva quien sabe querer), Gabriel
Rodríguez (When love) and Fernando Méndez (Lullaby and Corrido twist)
Interpreters: Javier Solis (as Javier Vélez), Dacia González (as Rosa
Martínez ),
Anita Blanch (as Doña Choles), Emir Angel Dupeyrón (as Carmelo Lito
Velázquez), Elsa Cárdenas (as Luz), Ada Carrasco (as Abuela) Premiere:
October 31, 1963 (3 weeks in billboard)
MEXICO OF MI HEART (Two Mexicanos
In Mexico) (1963)
Directed Miguel M. Delgado
Screenplay: Fernando Galiana on a argument himself and Dino Maiuri
Photography: Raúl Martínez Solares Music: Gustavo César Carrión with
songs of José López Alavés (Song mixteca), Pedro Galindo (am pure
Mexican), José Alfredo Jiménez (Pa 'everything year),
Benjamín Sánchez Mota (I like all), Cuates Castilla (Plegaria
guadalupana), Eligio Pérez Martínez (Firstly God) and Tomás Méndez (A
average rein) Interpreters: Lola Beltrán, Julio Aldama, Lucha Villa,
Mauricio Garcés, Luis Aguilar, Javier Solis Premiere: February 13 1964 (8 weeks in billboard)
GRABBING PAREJO (1963)
Two
beautiful girls send a letter to his uncles saying who have married,
without giving further details over their husbands, uncles intrigued
visit to girls to meet the flaming husbands, as everything has been a
lie by part of them, decide these search
two men who being passed off by their husbands, that the amen, who want
them and guard and hire for it to the "Grab flush" (Javier Solís and
Luis Aguilar) to be their husbands abnegated.Directed
Jaime Salvador Screenplay: Jaime Salvador Photography: Manuel Gómez
Urquiza Music: Manuel Esperón Interpreters: Luis Aguilar, Javier Solis,
Lucha Villa, Martha Elena Cervantes, Enrique Cuenca, Edgardo Manzano
Premiere: July 23rd, 1964 (3 weeks in billboard)
THE FOUR JUANES (1964)
Juan Charrasqueado is catched for killing a jealous husband and in prison meets Juan Pistolas. Both escape and bind to the revolution with the mission of collect weapons. Juan Sin Miedo saves Charrasqueado of an ambush and he requests aid to Juan Colorado, to follow locating weapons. Los brothers from a such Sabrina want steal it but the four Juanes the defeat with several wiles.Directed Miguel ZechariahScreenplay: Alfredo ZechariahPhotography: Gabriel FigueroaMusic: Manuel EsperónInterpreters:
Luis Aguilar, Antonio Aguilar, Javier Solis, Narciso Busquets, Alma
Delia Fuentes, Ofelia Montesco, Rosario Galvez, Graciela LaraPremiere: July 7th, 1966 (4 weeks in billboard)
CHAMPION OF BARRIO (1964)
In
this movie Javier Solis interprets to a boxer that little by little
begins to gain prestige until who stars the fight of his life.
Directed
Rafael Baledón Screenplay: José María Unsain on an argument of Edgar
Obregón Photography: Agustín Martínez Solares Music: Sergio Guerrero
songs The thief, Enemies, Laberinto, The nest, Global tender, Each whom
his life, La current, Callejón Interpreters: Fernando Soler,
Javier Solis, Sonia López, Joaquín Cordero, Oscar Madrigal, Gina Romand
Premiere: September 24 1964 (6 weeks in billboard)
DIABLOS IN HEAVEN (1964)
Directed
Rafael Baledón Screenplay: Fernando Galiana Photography: Raúl Martínez
Solares Music: Sergio Guerrero with songs of Silvestre Vargas and Rubén
Fuentes (The train), Indalecio Ramírez (I want), Victor Manuel M. (That
I condemn and Today you vi), Luis Demetrio (I'll) Interpreters: Marga
López, Julio Alemán, Javier Solis, Lorena Velázquez, Julissa, Lucha
Villa, Rosa de Castilla, Norma Mora Premiere: March 18 1965 (1 week in theaters)
SCHOOL FOR SOLTERAS (Águila With Las Hermanas) (1964)
Directed
Miguel Zechariah Screenplay: Miguel Zechariah on an argument of Alfredo
Zechariah Photography: Gabriel Figueroa Music: Manuel Esperón
Interpreters: Luis Aguilar, Antonio Aguilar, Amador Bendayan, Javier
Solis, Manuel López Ochoa, José Alfredo Jiménez, Sara García, Flower
Silvestre, Lucha Moreno, Alma Delia Fuentes, Fanny Cano Premiere: March 25, 1965 (one weeks in billboard)
THE SINNER (1964)
This is the story of a professor professor widower who has to avoid to one of his students that will flirts. A
root of a birthday party that receives by part of his daughter, life of
the professor changes: gets drunk with your alumna and ends going to a
cabaret, there, meets a cabaretera with whom spends the night; of this
form begins to visit the cabaret assiduously, drinking with frequency and tangled in messes with drug traffickers.Directed
Rafael Baledón Screenplay: José María Fernández Unsain Photography:
Raúl Martínez Solares Music: Sergio Guerrero with songs of Joseph Kosma
(The dead leaves), Alejandro F. Roth
(Incontenible), José Alfredo Jiménez (Arriving at ti), Luis Demetrio
(The day), Nice Panzari (No I have age to love you), Alvaro Carrillo
(Sabor to mi) Interpreters: Arturo of Cordova (as Mario), Marga López (as
Olga), Kitty de Hoyos (as Sonia), Pina Pellicer (as Irma), Javier Solis
(as Víctor), Marco Antonio Muñiz (as Bruno), Julissa (as Lidia). Premiere: 1 º April 1965 (10 weeks in billboard)
THE BROTHERS DEATH (1964)
Directed Rafael Baledón Screenplay: José María Fernández UnsainPhotography:
Raúl Martínez Solares Music: Raúl Lavista with songs of Silvestre
Vargas and Rubén Fuentes (The heifer), José Alfredo Jiménez (The silence
of the night and That I run out life), Cuco Sánchez (Revolutionary and
La ball), Tomás Méndez
(Golondrina smug and Ayes of love in the river), Armando Valdez Herrera
(This sadness mine) Interpreters: Emilio Fernández, Lola Beltrán, Luis
Aguilar, Javier Solis, Fernando Soler, Julio Aldama, David Reynoso, Lupe
Rivas Cacho, Emma Roldán Premiere: April 15 1965 (5 weeks in billboard)
RATEROS LAST MODEL (1964)
Directed Fernando Cortés Screenplay: José María Fernández Unsain and Sidney T. Bruckner
Photography: José Ortiz Ramos Music: Luis Hernández Bretón with songs
of Luis Demetrio and other (Father mine, El ghost, Mom and dad, Paquito,
How beautiful is my earth, I feel get away, Fulano of Tal), and Alberto
Cervantes (Without faith
and without religion) Interpreters: Manuel Capetillo, Javier Solis,
Dacia González, Andrés Soler, Manolo Muñoz, Liza Castro Premiere: April
18 1965 (two weeks in billboard)
THE THREE CALAVERAS (1964)
DIrected
Fernando Cortés Screenplay: Fernando Galiana Photography: Gabriel
Figueroa Music: Manuel Esperón Interpreters: Joaquín Cordero, Manuel
López Ochoa, Rubén Zepeda, Norela Lorena Velázquez, Liza Castro, Lucha
Villa, Javier Solis, Sonia Amelio Premiere: June 24, 1965 (two weeks in billboard)
ADVENTURE CENTER OF THE EARTH (1964)
A
group of scientists investigates the history of a woman maddened by
traveling to downtown Earth, where they find horrible monsters and other
strange creatures. Considered as one of the productions most spectacular of history of Mexican cinema.Directed Alfredo D. Crevenna
Screenplay: José María Fernández Unsain Photography: Raúl Martínez
Solares Music: Sergio Guerrero Interpreters: Kitty de Hoyos (as Hilda
Ramírez), Javier Solis (as Dr. Manuel Ríos), Columba Domínguez (as Laura
Ponce), José Elías Moreno (as Professor Díaz), David Reynoso (as Jaime Rocha). Premiere: September 2, 1965 (two weeks in billboard)
A DEAD END (1964)
Directed Rafael Baledón Screenplay: Rafael Baledón and Ramón Obon Photography: Raúl Martínez Solares
Music:
Raúl Lavista Interpreters: Javier Solis, Alberto Vasquez, Emilio
Fernández, Sonia López, Evangelina Elizondo, Lucha Villa Premiere:
December 23rd, 1965 (6 weeks in billboard)
THE CONQUEST OF GOLD (1965)
Los
settlers of "The Mineral del Dorado" tired of so many bandits decide
lift their complaints to the authorities who in turn send to two agents
disguised to investigate some irregularities finding that that town'd
give them another big surprise.
Directed Rafael Portillo Screenplay: Rafael Portillo on an argument of Roberto G. Rivera
Photography: José Ortiz Ramos Music: Antonio Díaz Conde Interpreters:
Emilio Fernández, Fernando Casanova, Armando Silvestre, Roberto Cañedo,
Roberto G. Rivera, María Duval, Irma Serrano, Javier Solis, Manuel Capetillo Premiere: September 30th, 1965 (4 weeks in billboard)
SPECIALIST IN LITTLE GIRLS (1965)
The young doctor Jaime attends the clinic of his father where Diana, a singer is carried emergency. After
operate it, Jaime falls for Diana and decides accompany her to launch
the artistic caravan, where replaces a singer and scolds by jealousy
with Javier, a womanizer who tries to conquer to Diana.Directed
Chano Urueta Screenplay: José María Fernández Unsain on a argument
himself and of Gregorio Wallerstein Photography: Enrique Wallace Music:
Sergio Guerrero Interpreters: Enrique Guzmán, Javier Solis, Germán
Valdez Tin-Tan, Diana Mariscal, Celia Nurseries, Miguel Angel Ferris Premiere: December 9 1965 (two weeks in billboard)
SANCHEZ THE MUST DIE (1965)
Two
brothers who do not want marry, escape of the village where live, upon
reaching his destination in another village, are accused falsely of
murder and for it sentenced to death.Directed Miguel M. Delgado
Screenplay: Alfredo Ruanova with dialogues of Carlos León Photography:
Jorge Stahl Jr. Music: Antonio Díaz Conde Interpreters: Javier Solis,
Fernando Casanova, Lucha Villa, Rosa María Vázquez, Eleazar García
Chelelo, Mayte Gaos Premiere: May 12 1966 ( four weeks in billboard)
CAÑA BRAVA 1965A
sailor decides marry his girlfriend, who is a girl humble, but the
pattern of girl is love with her and upon learning of his coming
marriage orders clobber the promised of her. The
groom, once regains consciousness, is accused of murder and has to
flee, arrives at the port and there is beaten again, by which loses
memory. For its part, the bride is done dancer and gets the fame. Spent a time, the sailor regains memory and goes in search of his girlfriend.
Directed
Ramón Pereda Screenplay: Rafael García Travesí on an argument of Raúl
Portillo and Jorge Camargo Photography: Alex Phillips Jr.Music:
Canciones of Rafael Hernández (Lamento Borincano and Preciosa, sung by
Marco Antonio Muñiz), La lie, The sky, the sea and you, Give me with a
kiss, La pollera colorá Interpreters: María Antonieta Pons, Javier
Solis, Ramón Pereda, Braulio Castillo, Roxana Bellini Premiere: May 19, 1966 (8 weeks in billboard)
THREE WILD (1965)
Directed
Gilberto Martínez Solares Screenplay: Jesus Camacho and Rubén Galindo
on an argument of the latter Photography: Jorge Stahl Jr. Music: Manuel
Esperón with songs of Francisco Lamuto and J. M. Contursi
(Shadow) and other Interpreters: Luis Aguilar, Javier Solis, Armando
Silvestre, Dacia González, Eleazar García Chelelo, Raúl Ramírez
Premiere: June 23rd, 1966 (3 weeks in billboard)
THE MAN OF THE FURIA (MORE BEYOND THE ORINOCO) (1965)
Coproduction Mexicano-Venezolana, filmed in Venezuela.
Directed
Fernando Orozco Photography: Carlos Carbajal Music: Carlos Tirado with
the songs Anxiety, Los blackbirds, Mayra and Pueblito old Interpreters:
Javier Solis, Dacia González, Fernando Soto Butter, Cuco Sánchez, Miguel
Angel Landa Premiere: November 11, 1966 ( one weeks in billboard)
THOSE WHO NEVER LOVED (1965)
Director:
José Díaz Morales Music: song of Agustín Lara, José Alfredo
Jiménez, Carlos Rigual and Javier Solis Interpreters: Ana Luisa Peluffo,
Guillermo Murray, Daniel Riolobos, Javier Solis, Rafael Bardisa
Premiere: April 21, 1967 (one weeks in billboard )
RHYTHM OF LOVE A GO-GO (1966)
Movie which recounts a comical love story commissioning against the closing of a music club go-go.
Directed Miguel M. Delgado
Screenplay: Adolfo Torres Portillo Photography: José Ortiz Ramos Music:
Raúl Lavista with musical arrangements of Leo Acosta and the songs Amor
a pace of go-go, Lupe, Maldito wanting, Watusi go-go, What flojera
gives us, Wait, Bule bule,
Te need and Perdónala Lord Interpreters: Javier Solis (as Raúl), Rosa
María Vázquez (as Lupe), Eleazar García Chelelo (as Lucio), Leonorilda
Ochoa (as Leonor), Raúl Astor (as Don Guillermo). Premiere: August 4, 1966 (5 weeks in billboard)
JOHN GUNS (1966)
Juan
Pistolas is rebellious and needs money to buy weapons and make its
revolution, coincidentally catches a bandit and receives its reward for
it from there are presented a series of situations unsuspected.
Directed
René Cardona Jr. Screenplay: Alfredo Zechariah Photography: José Ortiz
Ramos Music: Manuel Esperón Interpreters: Javier Solis, Eleazar García
Chelelo, Eva Norvind, Aurora Alvarado, Crox Alvarado Premiere: October
13 1966 (two weeks in billboard)
THE THREE MUSKETEERS OF GOD (1966)
In
this movie Adalberto Martínez Resortes, Joaquín Cordero and Javier
Solis are priests, the latter, endowed with a wonderful voice, proof of
this is when sings with great emotion the Ave María de Franz Schubert. The
three priests are in charge of an orphanage of children, but an
incident will jeopardize to the hospice, hostel of these children,
situation that leads to that priests do everything possible by save him.
Directed
Miguel Morayta Screenplay: Edmundo Báez on an argument of José Elías
Moreno Photography: Raúl Martínez Solares Music: Gustavo César Carrión
with orchestral arrangements of Rubén Fuentes and the songs Sol, the if,
do, Surf of the wolf, The lie, Ave María Gratia
Plena, Who will be Ska?, Scars, The sinner Interpreters: Javier Solis,
Joaquín Cordero, Adalberto Martínez Resortes, José Elías Moreno, Blanca
Sánchez, Pedro Armendaris Jr. Premiere: March 30th, 1967 (12 weeks in
billboard)
